Posts

Ballet Saved by Fattening Up Ballerinas

/in , /by

I am definitely not a fan of the headline of this Huffington Post article, “How Fattening Up Will Save Ballet,” but the content is worth a read. It’s by author Deirdre Kelly, whose new book bears the equally controversial title: “Ballerina: Sex, Scandal, and Suffering Behind the Symbol of Perfection.”

Oy. Talk about stirring things up.

Big Takeaway

The basic takeaway of the article is that ballerinas are being “allowed” to be at healthier weights than they used to be, and that this will “save” ballet. She points out that medical experts have long stated the dangers of ballet’s required extreme thinness (true). She also notes that companies today place more emphasis on injury prevention and dancer health than they did in the past (also true). However, that emphasis does not rule out their desire for thin dancers, as displayed onstage.

Kelly writes, “Ballerinas today are again embracing the breasts and hips which first made them objects of desire way back in the day. They are turning their backs on the radical cosmetic surgeries and punitive dieting that stripped them of their identities as full-fledged women in the modern era.”

But is it True?

While I admire Kelly’s desire to highlight the female dancers today who break the hyper-thin mold of the classical ballerina, I am not sure I see the broad changes in the field that she sees. Thinness is still a requirement and a pressure that young students and professionals alike experience with shocking regularity.

And I’m not so sure our companies present such a wide variety of body types that aspiring dancers feel there is room for their diversity. When companies make that rare exception, dancers often get singled out for not fitting the mold. (Recall: NYCB principal Jenifer Ringer criticized in the New York Times just two years ago… see here.)

And Her Point?

Kelly goes on to say that she wrote the book to restore dignity to the ballerina- dignity that was lost in the years when dancers had to submit to extreme thinness. “[Ballet] is where the ballerina is in control of her body in determining her own destiny.”

I both agree and disagree with this statement and will share my personal thoughts later. First, what do you think?

Healthy Body Workshop Take-Aways

/in , , , , , /by

A growth spurt can leave you feeling discombobulated. 

The School at Steps’ Healthy Body Workshop- take-aways continued…please see my previous post for the first part.

  • Physical Development

Among other things, Dr. Andrew Price, orthopedic surgeon, spoke to the challenges posed by a growth spurt.

Did you know that when you are going through a growth spurt your muscles are weaker and tighter than usual? It makes sense when you think about it because your bones are growing and the muscles are racing to keep up with the new length acquired. Usually, students find that they are suddenly very tight (especially in the hamstrings) and weak. It can be hard to lift your legs anywhere near your usual height. But don’t despair. This is all natural.

The take-away here is not to push yourself during a growth spurt.

Go easy on leg extensions and big jumps until your body is finished the spurt. Then focus on strengthening and stretching again. It’s best to talk to your doctor and your dance teacher if you think you are going through a growth spurt. They’ll help you navigate these new parameters so you don’t get injured.

  • Maintaining a Healthy Self-Image

Like many of you, I had followed the aftermath of a certain New York Times’ critic’s remarks about NYCB Principal Jenifer Ringer and her partner’s weight in December 2010. It was great to have her on the panel to speak to her own personal experience with staying healthy as a dancer, as well as dealing with the above-mentioned remarks.

The big take-aways were two.

  • First, that Jenifer, like a lot of young dancers, spent a number of years trying to make her body into something it wasn’t. She didn’t accept her body and spent years hating herself. Her story was about coming to terms with her body and learning to love herself, which included what she called her “womanly curves.”
  • The second take-away had to do with the New York Times critic’s comment. Ringer said that his comment was her worst nightmare come true. And yet, she felt fine. She was not devastated by it.

She attributed her ability to manage that comment to the years of work that she had already put in to accepting herself and loving herself as a healthy, womanly dancer. Her words were so positive, so affirming, and so important to hear. This level of self-awareness and acceptance of our bodies is something that we can all strive for as we learn to navigate the expectations of this training and art form.